What’s the point?

It’s sounding a bit of a cliche now, but these are truly unprecedented times. Not only for me, but for millions of people all over the world. The Covid-19 (Corona Virus) pandemic has affected us all in ways that we could never have imagined possible and has made us re-evaluate the things that are truly important in our lives.

A quick trawl through my social media channels has highlighted the very best and also the very worst traits of the human species. These have ranged from kindness, bravery and self-sacrifice to selfishness, arrogance and sheer idiocy. We have suddenly become virtual prisoners in our own homes – that is if we’ve been true to Government guidance about self-isolating and social distancing – with boredom and a lack of freedom to do what we want, when we want to and where we want to being the major focus of our lives. Unless you count stockpiling ridiculous amounts of toilet paper sufficient to deal with a worldwide dysentery a major worry!

Thankfully during this period of virtual lock-down, Mrs. Wife and I have been perfectly safe and secure here at “Trumpet Towers” – with sufficient (but not excessive!) quantities of pasta, tinned tomatoes and loo rolls to keep us away from the shops. She is an avid reader – a book a day is not uncommon – and I have my music to keep me going. Thank God for my music!!!

It’s funny how music always ends up being the “uniting force” or “glue” that brings communities together and puts a smile on peoples’ faces during times of adversity. Footage of residents in Italy (subject to lock-down) standing on their balconies and singing was broadcast all over the world and my friends at the Cory Band featured on national television, when their players recorded remote individual recordings of “Chitty Chitty Bang Bang”which were was then skilfully combined to make a complete band performance online, which vent viral (no pun intended!) overnight.

For musicians, whilst there is no replacement for performing together in public to an audience, or in a rehearsal, there is great comfort and satisfaction still to be derived from playing or singing at home on one’s own. Granted, it’s not the same, but it does fill the void and those endless monotonous days pass with less pain and angst, than those who don’t have a meaningful and fulfilling pastime to fall back on.

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Tools of the trade (Stomvi and Eclipse Trumpets)

So despite having my music – this saving grace, my refuge, my mental and spiritual sanctuary – this week having realised that I’d missed 2 consecutive days of blowing my trumpet, I had a moment of real full-on “what’s the bloody point?” The mind goes into over-drive. “I’ve got plenty of books waiting to be read, the attic needs clearing out and that box of archived memorabilia and “stuff” desperately could do with a sort out. Why bother practising? I don’t have any gigs in the book, there are no rehearsals I can attend, I don’t get paid to practise. Why should I bother?” So I didn’t and binge-watched “Murder 24/7” on Sky Crime or something similar.

The following day, having maxed out on my TV fix and now being thoroughly conversant  with Police custody procedures, forensic techniques and how much of a mug’s game crime actually is, I had a large reality check and got that Trumpet out for my daily parp.

Why? Because I realised that life without my music, in whatever form it takes – group, individual, home, abroad, practise, performance – is just a part of me. The period of no gigs and not being paid are (sadly) part of the territory, even when there is no pandemic to worry about. Indeed if musicians charged clients for the work “off camera” and “behind the scenes” in terms of preparation and maintaining standards we’d all be blinking millionaires. Imagine a builder excusing themselves from the family viewing of “Sound of Music” on Christmas Day to go and lay a few rows of bricks because they need to keep their hand in, as they’re building a wall on Boxing Day!

That said and done, it’s what we do, it’s who we are and it’s what makes us tick. Therefore by writing this blog, it’s been a cathartic experience. I’ve answered my own question really! The point is …… because we’re musicians and we love it!

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The Phil Dando Big Band Trumpet Section in action.

So the next time you ask a musician how much they charge for performing at a Wedding or to provide music for a Corporate Event, you’ll know that the fee doesn’t just cover the 3 hours the musician will be at the engagement, or the travel time and costs, or even to purchase the music, to arrange that special tune you requested or for buying that very shiny Trumpet. The cost reflects a lifetime devoted to the pursuit of excellence (I’m still chasing it incidentally!) and maintaining those extremely high standards, rightly expected by clients but demanded of the performers themselves.

I hope that all of you stay well and safe during these strange and difficult times and look forward to that first rehearsal or gig, whenever that may be.

Car Practice

Needs must! Martini practise session – “Any time, any place, anywhere”

Selecting a programme for a Concert?

The opportunities of hearing Brass Quintets in Concert are sadly rare, as most of our work nowadays is either for Weddings or for corporate events, so when Music for You were invited to perform for the Rhymney Valley Music Club, we jumped at the chance.

The Music for You Brass Quintet

The Concert (which is supported by the Night Out Scheme/Arts Council of Wales) takes place on Saturday 1st of April at Siloh Christian Community Centre, Oakfield Street, Ystrad Mynach, Caerphilly, CF82 7AF and starts at 7.15pm.

Before we go any further, I’m in danger of assuming that everyone knows what a Brass Quintet is, so just in case, a Brass Quintet comprises of 2 Trumpets, French Horn, Trombone and a Tuba and this line-up has become the most popular for chamber brass ensembles over the years, as pioneered by the late great Philip Jones. He founded the Philip Jones Brass Ensemble and when they weren’t performing as a 10-piece ensemble, this was their smaller group and he was hugely influential in developing chamber music for brass instruments.

So back to the Concert. Being the sole performers, the evening gives both the Quintet and members of the audience a chance to get their musical teeth into repertoire they would otherwise be unlikely to perform or hear, outside of a Concert setting. This in itself can cause problems however, as musicians often want to get stuck into some really challenging and high-brow repertoire that leaves all but the avid quintet connoisseur underwhelmed and unimpressed. On the flip-side, “dumbing down” a programme to contain a succession of light 3-minute “toe-tappers” or light classical items, means the audience are treated with contempt and the assumption that they couldn’t handle anything more serious than a John Philip Sousa march or maybe (if we were daring enough!), Samuel Scheidt’s (Yes, that’s his real name!) “Battle Suite”.

In compiling our programme for this particular event, we’ve tried to appease both appetites and hope that the audience will discover works by composers covering a 600 year period, that will be both enjoyable, stimulating and perhaps even educational. There will even be music from a living Welsh composer!

The Art v Commerce approach of programming concerts, has and always will be a hot potato for musicians and marketing departments the world over. I’ve always been a strong advocate for introducing audiences to new repertoire and composers, by gently broadening their musical horizons and not metaphorically ramming it down their throats, with the underlying message of “here it is, YOU WILL like it …. or lump it!” or “if you haven’t heard this before, you should have!”.

I very much hope, that we have succeeded in putting together a programme which is balanced for all tastes, but also gives us as performers, a rare opportunity to get our creative “juices” going a bit too. even the Brass Quintet aficionado will discover lots of new repertoire, so don’t expect the “same old, same old” programme!

Without giving too much away, there will be works by Handel, Rimsky-Korsakov, Gordon Langford, Edvard Grieg and Koetsier to name but a few.

So why not pop along and have a listen – it would be great to see you. Remember, there’s nothing quite like live music and even if there is something you want to watch on telly, you can always record it!

In the words of our strap-line “Music for You – it’s just that!”

Here’s a taster of one of the items being performed that evening Procession of the Nobles and you can learn more about Music for You by visiting our website

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