What’s the point?

It’s sounding a bit of a cliche now, but these are truly unprecedented times. Not only for me, but for millions of people all over the world. The Covid-19 (Corona Virus) pandemic has affected us all in ways that we could never have imagined possible and has made us re-evaluate the things that are truly important in our lives.

A quick trawl through my social media channels has highlighted the very best and also the very worst traits of the human species. These have ranged from kindness, bravery and self-sacrifice to selfishness, arrogance and sheer idiocy. We have suddenly become virtual prisoners in our own homes – that is if we’ve been true to Government guidance about self-isolating and social distancing – with boredom and a lack of freedom to do what we want, when we want to and where we want to being the major focus of our lives. Unless you count stockpiling ridiculous amounts of toilet paper sufficient to deal with a worldwide dysentery a major worry!

Thankfully during this period of virtual lock-down, Mrs. Wife and I have been perfectly safe and secure here at “Trumpet Towers” – with sufficient (but not excessive!) quantities of pasta, tinned tomatoes and loo rolls to keep us away from the shops. She is an avid reader – a book a day is not uncommon – and I have my music to keep me going. Thank God for my music!!!

It’s funny how music always ends up being the “uniting force” or “glue” that brings communities together and puts a smile on peoples’ faces during times of adversity. Footage of residents in Italy (subject to lock-down) standing on their balconies and singing was broadcast all over the world and my friends at the Cory Band featured on national television, when their players recorded remote individual recordings of “Chitty Chitty Bang Bang”which were was then skilfully combined to make a complete band performance online, which vent viral (no pun intended!) overnight.

For musicians, whilst there is no replacement for performing together in public to an audience, or in a rehearsal, there is great comfort and satisfaction still to be derived from playing or singing at home on one’s own. Granted, it’s not the same, but it does fill the void and those endless monotonous days pass with less pain and angst, than those who don’t have a meaningful and fulfilling pastime to fall back on.

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Tools of the trade (Stomvi and Eclipse Trumpets)

So despite having my music – this saving grace, my refuge, my mental and spiritual sanctuary – this week having realised that I’d missed 2 consecutive days of blowing my trumpet, I had a moment of real full-on “what’s the bloody point?” The mind goes into over-drive. “I’ve got plenty of books waiting to be read, the attic needs clearing out and that box of archived memorabilia and “stuff” desperately could do with a sort out. Why bother practising? I don’t have any gigs in the book, there are no rehearsals I can attend, I don’t get paid to practise. Why should I bother?” So I didn’t and binge-watched “Murder 24/7” on Sky Crime or something similar.

The following day, having maxed out on my TV fix and now being thoroughly conversant  with Police custody procedures, forensic techniques and how much of a mug’s game crime actually is, I had a large reality check and got that Trumpet out for my daily parp.

Why? Because I realised that life without my music, in whatever form it takes – group, individual, home, abroad, practise, performance – is just a part of me. The period of no gigs and not being paid are (sadly) part of the territory, even when there is no pandemic to worry about. Indeed if musicians charged clients for the work “off camera” and “behind the scenes” in terms of preparation and maintaining standards we’d all be blinking millionaires. Imagine a builder excusing themselves from the family viewing of “Sound of Music” on Christmas Day to go and lay a few rows of bricks because they need to keep their hand in, as they’re building a wall on Boxing Day!

That said and done, it’s what we do, it’s who we are and it’s what makes us tick. Therefore by writing this blog, it’s been a cathartic experience. I’ve answered my own question really! The point is …… because we’re musicians and we love it!

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The Phil Dando Big Band Trumpet Section in action.

So the next time you ask a musician how much they charge for performing at a Wedding or to provide music for a Corporate Event, you’ll know that the fee doesn’t just cover the 3 hours the musician will be at the engagement, or the travel time and costs, or even to purchase the music, to arrange that special tune you requested or for buying that very shiny Trumpet. The cost reflects a lifetime devoted to the pursuit of excellence (I’m still chasing it incidentally!) and maintaining those extremely high standards, rightly expected by clients but demanded of the performers themselves.

I hope that all of you stay well and safe during these strange and difficult times and look forward to that first rehearsal or gig, whenever that may be.

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Needs must! Martini practise session – “Any time, any place, anywhere”

Dispelling myths and preconceptions

On Sunday 4th October, Music for You made its début as an exhibitor in the world of Wedding Fayres.

The venue was the lovely Miskin Manor Hotel, near Llantrisant (which is on my door-step as it happens), however getting to the point where I was ready to bite the bullet and “go public” as an exhibitor had taken an extremely long time. The main worry was that I didn’t have snazzy enough marketing materials, glitzy banners and corporate wear and all the things that makes a self-employed sole-trader feel small and inadequate amongst all the established “bit-hitters” in the wedding industry.

My fears thankfully were unfounded, as all my fellow exhibitors were very helpful and generous with their compliments and advice, with lots of top tips to take away for future events – yes, to paraphrase Arnie “I’ll be back!” For a first time out, I felt I managed to “keep up with the Joneses” and the feedback was extremely positive, both from the exhibitors and visitors to the Fayre.

Once I had finally set up the stand, it was then down to the serious business of engaging, pardon the pun, with future brides, grooms and extremely worried looking parents (seeing their savings being rapidly blown by their daughters!) to try to persuade them of the merits of live music for their Wedding celebrations.

My main focus, was to try to promote the brass quintet, as this has so much versatility on a number of levels, particularly the musical repertoire it can offer. The quintet comprises two Trumpets, a French Horn, a Trombone and Tuba. What struck me instantly, was that the people I spoke to instantly assumed that brass instruments were either loud, brash, “in your face” and rather uncouth for a wedding and that the “noise” would be rather unrefined to say the least.

Thankfully, I was able to persuade all of the doubters to invest 30 seconds of their time and listen to some You Tube samples, notably Pachelbel’s Kanon performed by the quintet. My reward? My reward was the look of total delight and surprise on the faces of the future brides, quickly followed by “Mum, listen to this – it’s beautiful!”

So, the as the old saying goes “Don’t knock it, until you’ve tried it” rings true and I hope that my maiden voyage at  a wedding fayre, will produce some new “converts”, who at some point in the near future will actually book us for their very special day! Even if they don’t, they will now be aware of the wide range of colours and timbres that brass instruments can produce.

For more details about Music for You and our wedding music, please visit our web-site.

The Music for You Wedding Fayre stand

The Music for You Wedding Fayre stand