Who is your favourite Trumpet player of all time?

It never ceases to amaze me how people can differ in their taste and opinions of everyday things and this is certainly no exception when it comes to choosing your favourite trumpet player.

It got me thinking, how do you decide who your favourite is? Is it based on sound alone, is it interpretation, style, phrasing, technique, or a heady mix of all of them? And what would be the spread of votes between A and B or between X and Y?  There are so many different categories and sub-categories of trumpet players that you could compile endless lists of too e.g. classical, jazz, soloist, orchestral, big band, commercial, chamber music etc. etc.

My list is unashamedly self-indulgent and based on my favourite classical solo trumpeters. Whilst I’m sure many of you will have your own thoughts and question the inclusion/omission of certain Illuminati of the  trumpet world, these are just 10 of the many amazing musicians that have inspired, educated and brought us so much pleasure through their performances over the years.

Thanks for taking part and perhaps you’d like to comment why you made your choice.

Music for You – it’s just that!

Music for You is owned by trumpeter Andrew Jones and can be contacted on +44 (0)7973 869621.

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Taking the plunge with an unknown quantity?

Booking a person or company that you’ve never worked with before is a real minefield, particularly when it comes to musicians for special events or occasions. Perhaps this testimonial from a recent client will reaffirm and convince you of Music for You‘s ability to deliver a quality service, when it’s most needed.

Music for Parties Celebrations

“Dear Andrew. From the first time that I rang you, until you left yesterday, you conducted yourself with so much respect, dignity and professionalism. Please never let that change. It was a pleasure to deal with you. I had every confidence that you would perform well……… I can’t thank you enough for performing, what was such an important thing to me. It was my last personal tribute to my Dad. You did an old Veteran proud.”

KR – Last Post (Salisbury).

There, convinced now? If so, please either fill in the enquiry form below, or call Andrew on 07973 869621 to discuss the musical requirements of your event. Music for You – it’s just that!

Why are there 4 valves on certain trumpets?

I often have to remind myself that many of you who read my Blog are not brass players, but you show a great deal of interest in what I do and also are curious to know the workings and origins of the equipment that I use on a day-to-day basis. As a result, one of the frequent questions I get is “why does that trumpet have 4 valves?”, so for this Blog I’ll try to demystify that topic.

Stomvi “Elite” 4-valve Piccolo Trumpet

Following the invention of piston valves in the second half of the 19th Century, there were many ongoing attempts to develop and improve what valved instruments could achieve, musically speaking. Whilst the addition of valves meant an increase in the number of notes attainable, there was still a desire to try to further increase the range possible on the instrument and perhaps more importantly, to improve the intonation (tuning) on certain “sour” notes, that were proving problematic. These would certainly include low D, D flat and C sharp below the stave

So how does it all work? Well, the 4th valve essentially removes the need to use the often problematic 3rd valve, with a selection of notes given below.

No fancy notation software here I’m afraid, just my wobbly hand and trusty pencil!

The D is normally played on 1st & 3rd valves. If you then think, 1+3=? Yes, it’s as basic as that! You now play D on 4th valve. The same goes for the low G.

Db (D  flat) & C# (C sharp) are both played 1,2&3, but alternatively you now play on 2&4.

The low F (required for Baroque works such as Handel’s “Let The Bright Seraphim” and “The Trumpet Shall Sound”) falls outside the natural range of the standard 3-valve instrument – F# being the lowest note, therefore a 3-valve Piccolo Trumpet in A would be of little use for these 2 particular pieces and the performer would have to resort to using a D Trumpet – not the choice of the vast majority of players, I suspect! With the 4th valve, it is possible to get the F natural, by playing 1&4. Result!

Stomvi “Elite” D/Eb 3-valve Trumpet

So,with the advent of the 4th valve, players now have a viable option that makes life easier, not just in an intonation and tuning sense, but also in facilitating tricky passages and also giving certain notes a better tone quality. For example, playing a D on 4th valve sounds more “open” and “free” than when played on the conventional 1st & 3rd valves. As an example, C-D trills are much easier i.e. rather than open-1st & 3rd, you play open-4th valve!

The 4-valve instruments are not just restricted to the trumpet world however. 4-valve flugel horns have been around for years, however it is now possible to get Bb Cornets and Eb Soprano Cornets with 4 valves, courtesy of Spanish instrument makers Stomvi. A notable flag-bearer and ridiculously talented exponent of the Soprano is the Cory Band’s Steve Stewart, who was playing on one, when I was guesting at a rehearsal with them the other night. It was fascinating watching (and hearing) how he utilised this 4th valve to maximum potential!

 Stomvi 4-valve Bb Cornet

If you’d like to try a 4-valve Stomvi instrument, contact Mark Carter at Mr. Tuba or call +44 (0)1633 871506 for further information.

For further information about Music for You please contact Andrew on 07973 869621.

A lovely testimonial from a satisfied client

I received a lovely testimonial from a client yesterday:

“My daughter and I recently asked Andrew from Music for You to assist us by playing the Last Post at the funeral of her father. Andrew’s performance was phenomenal and was a great tribute to a proud ex- paratrooper. We received so much praise for Andrews contribution to the service, and feel he helped to make it truly memorable. Andrew is an amazingly talented and sincere person, and I would not hesitate to use the services of Music for You in the future.”

Nice to know when you get things right.

For further information about Music for You and the “Last Post” or music for any event, please call Andrew on (07973) 869621 or e-mail andrew@andrewjonesmusic.com

Trumpet Voluntary. The most well-known Wedding Processional music – ever?

The Trumpet Voluntary must be one of the most performed pieces at Wedding Ceremonies all over the world and yet there is a lot of confusion as to its name, its origins and its composer.

Firstly, it wasn’t originally written for the Trumpet, but as a March (or Processional) for the Organ and would have been performed using the Trumpet stop, to create a distinctive sound. It dates to around 1700 during the Baroque period.

Secondly, it was originally attributed to English composer Henry Purcell, however this is also incorrect and was actually composed by his lesser-known compatriot, Jeremiah Clarke, who in his own right was an accomplished musician and was organist at St. Paul’s Cathedral in London.

The next bit of confusion stems from the title of the work “Trumpet Voluntary”. This was a popular style of writing, therefore the title was often used and trumpet players even today have to be careful that people get to hear the correct Voluntary when asked, as there is also a very popular one by John Stanley (sometimes also referred to as Trumpet Tune).

Just to keep people on their toes, the final bit of confusion lies with the fact that the piece has not one, but two recognised titles. “Trumpet Voluntary”, is also known as “The Prince of Denmark’s March”! Confused? Don’t blame you, but if you use the latter title, most competent and experienced musicians should know instantly which piece you are referring to!

The sound clips above and below will hopefully help sort the confusion, but I’m sure you’ll agree both works are great pieces of music regardless.

 Probably the most famous Wedding to feature this music, was the Royal Wedding of 1981 when HRH Prince Charles married Lady Diana Spencer.
It’s not just weddings though that have featured Clarke’s evergreen work. It has been used by an eclectic mix of musicians and performers, including the Beatles, Sting and Peter Sellers to name but a few.
If you would like to make your “Big Day” extra-special and have Trumpet Voluntary performed at your Wedding Ceremony, then please call Andrew on 07973 869621 or e-mail me at andrew@andrewjonesmusic.com to discuss things further.
Music for You – making Weddings memorable!”

 

 

Why, in the world of music, does mediocrity win over genuine talent and skill?

Its been a while since I last wrote a blog, but I’ve been inspired to put cursor to screen having witnessed music-making of the very highest order this week. Both events were polar opposites, but the levels of skill and talent on display were never in question.

First up was my brass band  “Fest” watching the live streaming of the European Brass Band Championships from Oostende, where 12 of Europe’s finest (including the Cory and Tredegar Bands from Wales and Brighouse & Rastrick Band representing England) were vying for the coveted title.

Tredegar Town Band, 2002 European Brass Band Championships, Belgium

The  24 performances – each Band performed a set-work (Kevin Houben’s “Where Angles Fly”) plus an own-choice work – over the 2 days was quite frankly astounding. I’ve been privileged to have performed at the Europeans on 8 different occasions and the standard of playing since I first appeared in 1990 has risen year on year, to a point where you’d be hard-pressed to say that these weren’t professional ensembles.

Cory Band, 2015 European Brass Band Championships, Germany

Wales once again were at the forefront come results time, with Cory (defending Champions) being placed third and Tredegar coming in fifth. The winning Band this year were Eikanger-Bjorsvik from Norway, led by their inspirational conductor Ingar Heine Bergby, who won following a near 30 year gap since the last time they lifted the trophy. Their stunning own-choice performance of “Fraternity” by Thierry  Deleruyelle will live long in the memory.

Following the Europeans, my next source of inspiration was at Cardiff’s St. David’s Hall, where the wonderful, zany, jaw-dropping, breath-taking etc. etc. “gentlemen” of Mnozil Brass wowed the audience with the mastery of their art. Musicality, power of recall – playing everything from memory, humour, timing, stamina (where do they develop that staying power?), diversity, subtlety and innuendo and so much more. A sheer joy to hear and watch, leaving the audience shell-shocked and spellbound in equal measure. Superlatives are often over-used, but each one I have used was hugely earned and justified.

So, the point of today’s blog is, why do the general public get pawned off with rubbish on television and radio and the publicity given in column inches in the press/social media, when there is so much REAL talent out there? Admittedly, the European Brass Band Championships is very much a niche market, but when Cory Band last year (2016) won the “Grand Slam” of European, National, British Open and Brass in Concert titles (an amazing achievement), they barely made a mention in the local paper. Eikanger’s win at the Euro’s last weekend earned them a massive welcome reception at the airport on their return, with TV and media crews in attendance! Says a lot for what we think of our Champions doesn’t it?

Mnozil however, is an ensemble that could easily be featured on mainstream TV, or at very least on one of the Arts-focused stations. But no, we are subjected to performing dogs or yet another 11-year-old bashing out a Celine Dion hit and being told she has “amazing talent” and will go far etc. etc.

As “defenders of the faith”, perhaps we need to be more pro-active in demanding that the TV companies and media do cater for the more discerning audience and not settle for the rubbish that is often forced down our throats.

A small ray of sunshine in this gloom of mine, was Cory’s invitation to appear on ITV’s ‘Tonight at the London Palladium’ programme hosted by entertainment star Bradley Walsh.

Their performance was recorded live in front of a packed audience of 2,200 people and subsequently broadcast to an estimated audience of over 5 million people last night (03.05.17). Perhaps this is a significant step towards redressing the balance and highlighting the TRUE talent that can and should be presented to audiences the world over.

Here endeth the Lesson!

Stomvi Piccolo Trumpet

Selecting a programme for a Concert?

The opportunities of hearing Brass Quintets in Concert are sadly rare, as most of our work nowadays is either for Weddings or for corporate events, so when Music for You were invited to perform for the Rhymney Valley Music Club, we jumped at the chance.

The Music for You Brass Quintet

The Concert (which is supported by the Night Out Scheme/Arts Council of Wales) takes place on Saturday 1st of April at Siloh Christian Community Centre, Oakfield Street, Ystrad Mynach, Caerphilly, CF82 7AF and starts at 7.15pm.

Before we go any further, I’m in danger of assuming that everyone knows what a Brass Quintet is, so just in case, a Brass Quintet comprises of 2 Trumpets, French Horn, Trombone and a Tuba and this line-up has become the most popular for chamber brass ensembles over the years, as pioneered by the late great Philip Jones. He founded the Philip Jones Brass Ensemble and when they weren’t performing as a 10-piece ensemble, this was their smaller group and he was hugely influential in developing chamber music for brass instruments.

So back to the Concert. Being the sole performers, the evening gives both the Quintet and members of the audience a chance to get their musical teeth into repertoire they would otherwise be unlikely to perform or hear, outside of a Concert setting. This in itself can cause problems however, as musicians often want to get stuck into some really challenging and high-brow repertoire that leaves all but the avid quintet connoisseur underwhelmed and unimpressed. On the flip-side, “dumbing down” a programme to contain a succession of light 3-minute “toe-tappers” or light classical items, means the audience are treated with contempt and the assumption that they couldn’t handle anything more serious than a John Philip Sousa march or maybe (if we were daring enough!), Samuel Scheidt’s (Yes, that’s his real name!) “Battle Suite”.

In compiling our programme for this particular event, we’ve tried to appease both appetites and hope that the audience will discover works by composers covering a 600 year period, that will be both enjoyable, stimulating and perhaps even educational. There will even be music from a living Welsh composer!

The Art v Commerce approach of programming concerts, has and always will be a hot potato for musicians and marketing departments the world over. I’ve always been a strong advocate for introducing audiences to new repertoire and composers, by gently broadening their musical horizons and not metaphorically ramming it down their throats, with the underlying message of “here it is, YOU WILL like it …. or lump it!” or “if you haven’t heard this before, you should have!”.

I very much hope, that we have succeeded in putting together a programme which is balanced for all tastes, but also gives us as performers, a rare opportunity to get our creative “juices” going a bit too. even the Brass Quintet aficionado will discover lots of new repertoire, so don’t expect the “same old, same old” programme!

Without giving too much away, there will be works by Handel, Rimsky-Korsakov, Gordon Langford, Edvard Grieg and Koetsier to name but a few.

So why not pop along and have a listen – it would be great to see you. Remember, there’s nothing quite like live music and even if there is something you want to watch on telly, you can always record it!

In the words of our strap-line “Music for You – it’s just that!”

Here’s a taster of one of the items being performed that evening Procession of the Nobles and you can learn more about Music for You by visiting our website

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The tools of the trumpeter’s trade

In one of my recent blogs, I wrote about the different types of mute that a trumpet player has at their disposal, in order to create different sounds and timbres.

It therefore makes sense to develop this theme and write this time about the vast array of instruments used and needed by trumpeters nowadays.

Today, in the highly demanding and competitive world of music, the modern trumpeter is required to turn their hand to as many different musical styles and genres as they possibly can master (or get away with!) and like any craftsman, needs a fairly sizeable box of “tools” that can facilitate this.

Bb Trumpet

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Pictured – Eclipse Bb Trumpet in brushed gold

The main instrument that you’ll find all trumpeters playing all over the world, is the Bb (B flat) trumpet. This is what the vast majority of players start their musical journey on and such is its versatility, that it is used in all ensembles and styles of music, ranging from classical to jazz, and chamber music to pop and function bands. There are of course huge varieties of Bb trumpets, in terms of bore size and finish (lacquer, silver plate, raw brass, gold etc.) and this is down to player preference and budget ultimately.

It’s once the player gets to a certain level of proficiency and starts diversifying in terms of the range of styles of music that they perform, that the instrumental requirements and choice of instruments by the individual player, start to get interesting.

D/Eb Trumpet

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Pictured – Stomvi Elite D/Eb Trumpet in Silver Plate

The next instrument that many aspiring students will graduate on to will be the D and/or Eb Trumpet. This instrument is a 2 in 1 usually with interchangeable bells and slides and being a smaller instrument is the choice of kit for performing higher range repertoire and where a brighter sound is required. This would be particularly handy when performing works by Handel or Bach in an orchestra, or for soloists who are taking on the challenge of the Haydn, Hummel or Neruda Trumpet Concerti.

Flugel Horn

Pictured – Vincent Bach Flugel Horn in Silver Plate

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This instrument is exactly the same length as a trumpet, however with the bore being a conical shape and much wider, the sound is much mellower. You will usually find this played in a brass band (as I do in the Regimental Band of The Royal Welsh), but this is also found in big bands and jazz combos and is a popular choice for jazz soloists wishing to showcase a more lyrical, silky sound typically in a ballad.

Piccolo Trumpet

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Pictured – Stomvi Elite A/Bb Piccolo Trumpet in Silver Plate

The piccolo trumpet is the baby of the family and plays the very highest notes in the register. This is often the choice of instrument, when the range exceeds what the D/Eb can comfortably achieve and is fiendishly difficult to master if not played on a regular basis.

It almost always has 4 valves nowadays and is pitched in A or Bb and the fingerings for each note are played an octave (8 notes) lower than written on the music.

Tunes you might have previously heard played by a Piccolo Trumpet would be the trumpet solo from the Beatles hit “Penny Lane” and the theme music to the Champions League football, Antiques Roadshow and “Brideshead Revisited” programmes.

Bach’s B Minor Mass and Brandenburg Concerto No.2 and Handel’s “Trumpet Shall Sound” from Messiah and “Let the Bright Seraphim” from Solomon are just a few orchestral pieces that would demand the use of a “Picc”.

One of the greatest exponents of the piccolo trumpet, was French virtuoso Maurice André whose mastery of this instrument is the bench-mark and reference point for all aspiring trumpeters around the world. As with all experts in their field, he makes it all seem so effortless!

C Trumpet

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Pictured – B&S Challenger C Trumpet in Lacquer

The C Trumpet is the closest relative (in size) to the Bb trumpet and was historically the “weapon” of choice of American trumpeters in orchestras, however this is not so much the case nowadays perhaps.

It’s a versatile instrument which is popular for using in contemporary orchestral and chamber music, where a smaller bore is required to cover a greater range and also makes playing in certain key signatures a little more user-friendly. With many orchestral trumpet parts needing to be transposed (that’s another Blog for another day), the C sometimes facilitates easier transposition too.

Rotary-valve Trumpet

All the above instruments use piston valves to obtain the notes, but the Rotary Valve Trumpet has valves like the French Horn.

These trumpets would typically be seen in the Berlin or Vienna Philharmonic Orchestras, plus other types of wind ensembles in those countries.

So now you know why trumpeters often look as if they are moving house, as opposed to going to a gig. Thanks once again for reading my blog and if you’ve enjoyed it, please share and drop me a line with brass and trumpet related topics that you’d like to hear more about.

For further information about Music for You, please visit my website

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Pictured – (L-R D/Eb Trumpet, Piccolo Trumpet, Bb Trumpet)

All photography by Paul Fears Photography (except C Trumpet & Flugel Horn pictures)

 

 

What’s that funny looking thing sticking out of the end of your trumpet?

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I was at Llys Prês, a Cardiff-based instrument repair workshop the other day, and found myself taking a keen interest in the wide variety of tools that Denis Wedgewood had at his disposal. He patiently answered all my innocent (perhaps naïve) questions as to why that was a certain size or this was a particular shape and why he needed 3 or 4 very similar looking tools to complete a certain job, however I left the premises with no more skill; these things come under the heading of D.I.Y. – Don’t Involve Yourself, but certainly far more informed and enlightened as a result.

This then made me think about my own job and the tools that I have to use and I remembered Mrs. Wife asking me similar questions about playing the trumpet. One such question was regarding the “funny things you stick in the end of your trumpet” and what was the point of it all, so this has prompted me to explain a little to those of you who don’t know either.

These “things” are actually called mutes and their function is to change the tone and sound of the instrument, so as to create a variety of effects, moods and timbres to the music.

There are a multitude of mutes available on the market nowadays, with manufacturers constantly striving to develop unique, newer or improved products, so in the Blog I will cover the main mutes used by most trumpet players, however there will be many that I have left out due to the myriad out there.

The Straight mute – This is the most commonly used by players, but there are variations even for this type, as they can be made of metal, wood, fibre and plastic and have distinctly different sounds.

Straight Mute (Metal)

Straight Mutes (Metal) – The mute on the left is for a PiccoloTrumpet and the one on the right is a standard sized one.

Straight Mute (Plastic)

Straight Mute (Plastic)

Fibre Straight Mute

Straight Mute (Fibre)

The Cup mute – This as its name suggests, has a cup shape and makes the sound much mellower and softer. Some cup mutes have a moveable cup that slides closer to, or away from the bell of the trumpet, in order to change the tone slightly.

Cup Mute

Cup Mute

The Harmon mute – The Harmon mute is another mute where the tone can be altered, using a movable stem. The general tone is quite “nasal” and constricted and this is often used to portray a trumpet playing distantly. The further out you pull the stem, the darker the tone gets until you can actually remove it completely.

Harmon Mute (Stem in)

Harmon Mute (Stem in)

Harmon Mute (Stem removed)

Harmon Mute (Stem removed)

The Bucket Mute – This clips on to the bell of the instrument and is lined with a soft padding. This absorbs most of the brightness of tone, making the music sound muffled.

Bucket Mute

Bucket Mute

There are many more mutes, as I have already mentioned; such as the Plunger mute, the Solo-tone and a Practise Mute (designed to keep your neighbours happy when you start ripping through the Haydn Trumpet Concerto at 2.30 in the morning!), but I hope that this gives you an insight to these “things”, commonly known as mutes.

For more information about Andrew Jones and Music for You, please visit www.andrewjonesmusic.com

Don’t shoot the messenger – the poor old Trumpet player always gets it “in the neck”!

Today’s blog gives a brief insight to the curious use of the Trumpet, both in conveying important messages to others and how it’s use has become iconic and symbolic for one particular European City.

In 2008, I was fortunate enough to be the Musical Director for the Greater Gwent Youth Brass Band’s Tour of  Poland. This was a pretty ambitious project, involving not only the Brass Band, but also the County Symphony Orchestra and a Chamber Choir. This amounted to a travelling entourage of around 150 students and staff!

The Ensembles performed at a variety of locations in Poland including the Church in Zakopane, nestled in the beautiful Tatras mountain region, which was built as a gesture of thanks to God, for saving the life of Pope John Paul II after the assassination attempt in 1981.The Shrine of Our Lady of Fatima in Zakopane OLYMPUS DIGITAL CAMERA

In addition, our Tour took us to the beautiful City of Kraków and the amazing Church of St. Catherine’s, with its high ceilings and ornate decor, especially the breath-taking Altar and Rood Screen. OLYMPUS DIGITAL CAMERA

St. Catherine’s Church, Kraków

Whilst in Kraków one day, I was walking across the main square in the City, when I saw a group of tourists gathered and looking up in the air at something. Being of a somewhat nosey, sorry, curious disposition I also stopped to see what was causing so much interest. Everyone seemed to be looking at a Church Tower (which I later learned was Saint Mary’s Church. Nothing much seemed to be happening and people were regularly checking their watches, so having given up hope of anything exciting happening, I was about to walk off, when one of the group shouted out and pointed at one of the windows in the Tower.

In the Tower window high above, stood a figure who looked down at the ever-increasing throng and gave a quick wave. What happened next was totally unexpected however. He suddenly went out of sight only for a trumpet bell to suddenly appear out of the window and the sounds of a very lyrical but simple melody were heard wafting over the square. It was quite mesmerizing and continued for nearly a minute, only to stop abruptly mid-phrase! Most of the curious audience (including myself) were highly baffled by all this, but before we could even question what we had just witnessed, the whole process was repeated but this time, from another window from the Tower. In fact, this occurred on four separate occasions, in quick succession, each time with the melody ending abruptly at the same musical point (or non-musical place if you were looking for a logical ending to the tune, as I was!).

Had I done my homework prior to going to Kraków however, or consulted a tourist guide-book, I would have learned that this tradition has been in existence for centuries, with a variety of stories, legends and myths regarding it’s origin and meaning.

First of all though, let’s deal with hard facts. The melody or “call” is known as Hejnał Mariacki (pronounced “Hey-now Mahr-yahts-kee”), meaning “St. Mary’s Dawn”; also called the Kraków Anthem). This is a traditional, five-note Polish melody which is played every hour on the hour, 365 days a year. Such is it’s importance in Polish culture, the mid-day performance is broadcast via radio to all of Poland and the world.  In fact, 71 years ago this week, the  Hejnał was played by a bugler from the Polish Army to announce the Polish victory in the Battle of Monte Cassino on 18 May 1944. It is unclear who wrote it, but Civic records actually refer to it officially as far back as 1392 and was originally played by the town guard to warn of fires or signal the end of a guard watch. Since the 19th century however, the Hejnał has been performed by active members of the fire brigade, who currently provide at least four different buglers serving in shifts at the tower. Despite its apparent monotony, this duty is carried out with great pride and precision by each trumpeter and is regarded as a hugely prestigious task, with some players having given 30+ years continuous service performing it.

Now for the conjecture bit. I will let you do your own research and decide which you believe is the most credible version, however some state the tune is performed in four different directions in honour of the King of Poland, the Mayor and the Bishop, the citizens of Kraków and finally the peasants/visitors Kraków. My favourite version however, is that during the first Mongol invasion of Poland (yes they got around a bit those guys!) of 1241, troops led by one of Genghis Khan’s Generals – General Subutai – were attacking the City and a sentry on a tower of St Mary’s Church sounded the alarm by playing the Hejnał. Thanks to the sentry’s vigilance, the gates were closed before the invaders were able to ambush the city. The poor trumpeter, however, was shot in the throat and did not complete the anthem, hence the reason for the abrupt ending to each performance!

A more recent explanation for the sudden ending may stem from the sudden death of the performer, whilst on duty at midnight on 7 July 1901. Whichever story you might wish to believe, the Trumpet has shown its versatility once again, in not only bringing musical pleasure to so many, but also in being a method of communication, an early warning system and a very potent tourist attraction. Who says live music is for the elite? Hejnał mariacki played by a trumpeter from the tower of St. Mary’s Church (Kościół Mariacki) in Kraków.

P.S. – When the postman delivers the Gas bill next time, don’t shoot the messenger, he’s only doing his job!

St. Mary’s Church in Kraków. The Hejnał is performed 4 times on the hour every hour from the Tower on the left. HELLOMOTO

If you require a Bugler or Trumpeter for an event, please visit Andrew Jones (Music for You)